
I worked in this particular dark satanic mill for a year. That was back in the seventies. I didn't actually have time to notice the counterculture falling apart. I was too busy trying to overthrow the culture. Like so many of my schemes, that one didn't work out too well.
Esteemed comrade and occasional instigator, if not leader,
Mick Farren is blaming himself for selling out the counterculture. He's also worried about his health and his self image as a romantic hero. When Mick gets depressed he does it in writing and in public.
I think he's taking himself a little too seriously. Mick's version of the counterculture was being watched for some time by men who were far more guileful than him. The decision to appropriate the gains of the counterculture was made at high levels, if not consciously still quite deliberately. The symbol language of the counterculture translated into the language of marketing. With a few simple changes in form the counterculture could easily be emptied of content.
I'll go a step further and suggest that this was done best by members of the counterculture. They weren't exactly doing it consciously, like I said. They were just tired of being poor and they knew they were on to a good thing. The thing is, most of them weren't poor. Even if they didn't have much money, they were just white kids who had chosen to exercise the austerity option. They didn't sell out, they walked back in through a door that had always been left open for them.
The other problem with weeping over that one particular manifestation of counterculture is that any one person's little experience of stepping outside of custom and into the possibility of freedom is different. Even if your experience is as special as Mick's, there's still nothing that special about it. The special hairdo, the special clothes, the special music, they change all of the time. What is universal is the moment when we see before us that shining city on a hill.
John Ball saw it. So did the
Anabaptists.
Gerrard Winstanley saw it and The Diggers tried to build what they saw on St. Georges Hill.
The Wobblies saw it.
The Spanish anarchist cab drivers who rammed their cabs into the fascist's defenses saw it and died happy.
I heard the rumors of Jerusalem during Mick Farren's glory days, but I didn't see it plain until 1974. That was when I played my tiny part in
The Dodge Truck Wildcat. For a few days in a few blocks of the ugliest industrial city in America it was easy to see the most ordinary people in the world, factory rats, turned into visionaries and poets. It didn't last long. It couldn't. I promise you nobody was wearing flowers in their hair.
Sometimes I get a little weepy for industrial America. There's no good reason for that. Those factories sucked. I pity the workers of industrial China. I just miss being young and feeling like I was part of something that could change the world.
The good news is that somebody is feeling that way right this minute. The good news is that somebody just caught a glimpse of Jerusalem.
If Mick Farren is feeling bereft think how
William Blake would feel if he knew his magnificent poem had been turned into a bit of imperialist doggerel. Billy Bragg did what he could to restore Blake's Jerusalem to it's rightful place.
Blake's Jerusalem- Billy Bragg (
buy)No worries comrade Mick, history will absolve you and Fidel too.
I've come to believe that ukuleles can save the world. Unfortunately they can only save it sometimes and only for a few minutes and they might only be saving the part of the world that is contained by this trailer. That'll have to do. Towards the cause of momentary ukulele world salvation, here's chords and lyrics for Hubert Parry's original musical version of Blake's Jerusalem
C Am F C
And did those feet in ancient time
F C Dm Am F
walk upon England's mountains green?
C Am Em Am
And was the Holy Lamb of God
Em Am Em D G
on England's pleasant pastures seen?
G Dm Gm Dm
And did the countenance divine
F Bb F
shine forth upon our clouded hills?
Dm G G7 C
And was Jerusalem builded here
Am F C F C G C
among these dark satanic mills.
C Am F C
Bring me my bow of burning gold!
F C Dm Am F
Bring me my arrows of de-sire!
C Am Em Am
Bring me my spear! O Clouds unfold!
Em Am Em D G
Bring me my chariot of fire!
G Dm Gm Dm
I will not cease from mental fight,
F Bb F
nor shall my sword sleep in my hand,
Dm G7 C
'til we have built Jerusalem
Am F C F C G C
in England's green and pleasant land!
Golly, what if Jerusalem really was builded here among these dark satanic mills?